Events – Danspace Project
Photo by Christopher Wormald

Elliot Reed: Profanity Only Upsets The Living

Thursday, October 2 | 7:30PM
Friday, October 3 | 7:30PM
Saturday, October 4 | 7:30PM

Open Dress Rehearsal*
Tuesday, September 30 | 7:30PM

To RSVP for Open Dress Rehearsal, Click Here

Elliot Reed (he/they) is a director, performer, and visual artist whose art starts from the body, making a choreographic language through objects, installation, and sound. They have previously shown work-in-development in Danspace’s DraftWork series. 

Performed by Nadira Foster-Williams, Reed’s new commission Profanity Only Upsets The Living is a world-premiere solo that celebrates the gift of mourning—the universal yet profoundly isolating experience. Reed writes, “No word will take us there but I’m willing to try.”


*About Open Dress Rehearsal:
 Tuesday evening’s dress rehearsal will be free with RSVP and open to the public at limited-capacity. Open dress rehearsals are a mask-required, community-minded program prioritizing our immunocompromised and low-income audiences. Staff and audiences will be required to wear masks (N95 or KN95) and performing artists (if unmasked) will be  required to test for COVID-19 (rapid tests provided by Danspace Project). This is a first-come-first-served event. Danspace will not hold late seating or a waitlist during Open Dress Rehearsals. Thank you for your understanding.


Tickets

$10 Members
$20 Regular Price
$30 A little extra
$40 A little more!
$50 Celebrating 50 years!
$100 Here’s to the next 50!

BUY TICKETS


Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Elliot Reed is an artist, based in New York working across video, dance, performance, and sculpture. He received his MA in Choreography from Master EXERCE ICI-CCN in Montpellier, France, and is a member of The Whitney Museum ISP 23-24 cohort.

Elliot is a 2019 danceWEB scholar, 2019–20 Artist in Residence at the prestigious Studio Museum in Harlem and part of the museum’s permanent collection. Reed was also the recipient of the 2019 Rema Hort Mann Emerging Artist Grant. Recent gallery and museum exhibitions include Kinshasa Glarus, Lucerne Festival with JACK Quartet, Metro Pictures, MoMA PS1, OCD Chinatown, The Getty Center, Hammer Museum, Dorothy Chandler Pavilion, The Broad, and performances in Tokyo, Osaka, London, Mexico City, Vienna, and Hamburg.

Photo of Annie MingHao Wang by Yuan Liu | Photo of Dorchel Haqq by Steven Pisano

DraftWork: Annie MingHao Wang + Dorchel Haqq

Saturday, October 25 | 3PM

Curated by Ishmael Houston-Jones, Danspace Project’s DraftWork series hosts free, informal showings of new works in varying stages of development. This afternoon features performances by Annie MingHaoWang and Dorchel Haqq.

Showings are followed by a reception, conversation, and Q&A between the artists.


RSVP HERE


Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Annie MingHao Wang (she/they) is a choreographer/dancer based in New York. They are a 2025 Fellow of the Bogliasco Center and have held residencies at Movement Research, Topaz Arts, Marble House Project. Leimay Foundation, BRIC, and the Atlantic Center for the Arts. Their work has been awarded grants by LMCC (Manhattan Arts Grant) and Brooklyn Arts Council and been presented by Pioneers Go East at the 2024 Out-FRONT! festival, Movement Research @Judson, Leimay’s OUTSIGHT series, BRIC, Five Myles, and the Exponential Festival. Annie currently dances for Reggie Wilson/Fist and Heel Performance Group, Maho Ogawa’s 水素co., Huiwang Zhang, Sugar Vendil, and Marie Lloyd Paspé.


Dorchel Haqq was raised in Harlem and began her journey embodying history at LaRocque Bey School of Dance Theatre and the Dance Theater of Harlem. Her interest in the body as a political artifact blossomed at Fiorello H. LaGuardia High School of Performing Arts and deepened while studying at the Conservatory of Dance at Purchase College, SUNY. While at Purchase, she studied abroad at the Korea National School of Arts and at B12 in Berlin. She is continuously cultivating her movement language by exploring the reflections of fantasy while abstracting the echoes of transgenerational trauma through er body of culture. Film, sound exploration, and object investigation have added dimensions to her practice of active archiving. These organizations have fed her practice: Springboard Danse and the Springboard Danse curated Jonah Bokaer Arts Foundation Founder’s Residency, Gallim Moving Artist(inaugural resident), Leimay Incubator, Center for Performance Research, Baryshnikov Arts Center, Triskelion Arts, Beyond the Black Box, Black Aesthetics Judson Commons, Arts On Site, Movement Research, City Artist Corps Grants, and the Foundation for Contemporary Arts.

Dorchel has danced in works by Loni Landon, Kayla Farrish, and Kyle Abraham and has performed in Sleep No More, Shanghai and Emursive’s Life and Trust. During the summer of a global pandemic, she presented ‘tenderheaded’ at the Battery Dance Festival and co-organized a BLM protest with Jon Batiste. In the Fall of 2020, she became an adjunct lecturer and was commissioned by the Conservatory of Dance at Purchase College, SUNY, to create BLACKDIAMOND. In November 2023, she performed as Stefanie Batten Bland’s choreographic assistant and dancer for Etudes by Carl Hancock Rux/Mabou Mines. In 2025, she started a dance theatre company and is a 2025 Movement Research Van Lier Emerging Artist of Color Fellow, mentored by Nora Chipaumire.

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