Events – Danspace Project
Photo: Jade Young

Gemma Bond Dance: HARVEST

Community ACCESS provides subsidized off-season rental opportunities for Danspace Project community members.

HARVEST is an evening of new and reconstructed works by choreographer Gemma Bond, in collaboration with a select group of ten dancers from American Ballet Theatre and New York Theatre Ballet.

The evening’s four works consider the connection between everyday events and the aesthetics of ballet. Bond’s choreography is a study in placing ballet in a less traditional setting—without scenery, without mime and gesture, or a set narrative, but through pure dance creates and inspires emotion that connects with the audience.

“Being a dancer with American Ballet Theatre myself, I’m surrounded by beautiful talent that longs to express itself through new and different avenues. Together we hope to take this great opportunity to explore, create, and bring classical ballet to a new audience in this remarkable location.” – Gemma Bond

The program includes: Being (Music by Karen LeFrak), Manner (Music: Franz Liszt, Six Consolations), Depuis le Jour (Music: Gustave Chapentier, Opera Louise), and Untitled (Music: Alfredo Piatti, Twelve Caprices for cello solo, Op. 25)

Choreography: Gemma Bond
Lighting Design: Serena Wong
Dancers: Zhong-Jing Fang, Thomas Forster, Steven Melendez, Lauren Post, Calvin Royal iii, Jose Sebastian, Christine Shevchenko, Devon Teuscher, Katherine Williams, Stephanie Williams

Gemma Bond got her first taste of choreography at the young age of 13 when she competed in the Royal Ballet’s Sir Kenneth MacMillan Choreographic Competition. She later returned to choreography when she joined American Ballet Theater, in 2008.

From 2010 to the present, Ms Bond has created three new ballets for ABT’s Choreographic Institute, and various new works for New York Theatre Ballet, Intermezzo Ballet Company, and the Hartt School. She choreographed a pas de deux that was performed at the prestigious Eric Bruhn Prize, and a ballet that was performed at the Youth America Grand Prix Gala in 2014. Ms Bond has also worked on commercial projects with 1stAveMachine.

Ms. Bond was awarded the fellowship grant from The New York Choreographic Institute (an affiliate of New York City Ballet) in 2014. With this grant Ms Bond was able to create her new work, The Giving . The Giving is inspired by Shel Silverstein’s, The Giving Tree. Ms Bond took this opportunity to commission original music by Lori Scacco, and used two dancers from American Ballet Theater, Christine Shevchenko and Sterling Baca.

Brother(hood) Dance! by Ricarrdo Valentine

DraftWork: Brother(hood) Dance! / the Median Movement

Curated by Ishmael Houston-Jones, the DraftWork series hosts informal Saturday afternoon performances that offer choreographers an opportunity to show their work in various stages of development.

Performances are followed by discussion and a reception during which artists and audiences share perspectives about the works-in-progress.

The Median Movement is the artistic intersection of Xan Burley + Alex Springer, serving as a vehicle for their collaborative choreography, performance, and teaching. Their work has been presented by Movement Research at the Judson Church, Center for Performance Research, Gowanus Art + Production, MATA Interval at the Museum of the Moving Image, the 92Y, University Settlement, DANCE NOW, the TANK, Triskelion Arts, and BAX, among other venues. They have been commissioned artists at various universities and companies throughout the U.S. Xan, has been fortunate to work with Nancy Bannon, Daniel Charon, Shannon Gillen, Shannon Hummel/Cora Dance, Donnell Oakley, and Tami Stronach, among others. She joined Doug Varone and Dancers in 2012 and acts as co-producer of WAXworks. Alex, originally from Michigan, joined Doug Varone and Dancers in 2008 and acts as the rehearsal director. He has performed with Donnell Oakley, Amy Chavasse, Alexandra Beller, and the Metropolitan Opera Ballet. Alex freelances as a video artist for A.O.Pro(+ductions).  www.themedianmovement.com

Brother(hood) Dance! is a collective formed in April 2014 as a duo that research, create and perform dances of freedom by Orlando Zane Hunter, Jr. and Ricarrdo Valentine. As a collective, we debuted in a non-traditional space of a Brooklyn Brownstone living room. The collective has performed at FiveMyles, Center for Performance Research, JACK, Dixon Place, Open Season at the Urban Justice League, VCU-The Grace Street Theater, Bronx Academy of Arts and Dance (B.A.A.D), Denmark Arts Center among other venues. Ricarrdo and Orlando are in the 2015-16 Dancing While Black Fellowship. They will be sharing their work-in-process solos’ in March at the Brooklyn Arts Exchange.

Still from Eiko & Koma and James Byrne, “UNDERTOW,” 1988

Film Series at Anthology Film Archives

Part of Platform 2016: A Body in Places

This Wednesday night film series is co-presented by Danspace Project and Anthology Film Archives and curated by Eiko, who addresses “how humans contribute to and survive the characteristics of places.” Tickets are available at Anthology’s box office on the day of the show only. The box office opens 30 minutes before the first show of the day. There are no advance ticket sales.

PROGRAM 1: A BODY IN MOURNING
I grew up in post-war Japan, devouring the works of those who experienced WWII. Popular entertainment, from movies to manga, were also suffused with memories of the War. Without experiencing the War, our generation were influenced by the grotesqueness of massive violence. Soon after 9/11, I began thinking about how dying in mass violence is different from dying from a disease or an accident. Why does it matter how we die? Then I realized that, however painful the process of dying, one who dies a personal death at least dies his or her own death. A personal death receives personal attention. Dying in the midst of massive violence means dying with great upset of many. Massive violence deprives a person his or her own personal death. –Eiko

Kon Ichikawa
THE BURMESE HARP
1956, 116 min, 16mm, b&w. In Japanese with English subtitles.

Mizushima, the protagonist of THE BURMESE HARP witnesses countless corpses as he wanders through Burma. Fear, remorse, and hesitation gradually transform this survivor into a mourner. Wishing to attend and bury the dead, he ultimately tells himself, “I cannot return to Japan.” Film director Ichikawa described THE BURMESE HARP as the first film he felt a profound need to make. –Eiko

With:
Eiko & Koma and James Byrne UNDERTOW 1988, 7 min, 16mm b&w
UNDERTOW is a work choreographed for the camera in collaboration with video artist James Byrne. Eiko & Koma’s two naked bodies float in the space of an existential limbo. –Eiko

More info:
anthologyfilmarchives.org
eikoandkoma.org

 

Photo: William Johnston

Delicious Movement Workshop: Taught by Eiko with special guest Emmanuelle Huynh

Part of Platform 2016: A Body in Places

This class will be taught by Eiko with special guest Emmanuelle Huynh.

Eiko has taught “Delicious Movement” at festivals, universities and arts centers for more than three decades and has influenced generations of dancers and choreographers all over the country.

Every Wednesday (February 17, 24 March 2, 9, 16) during the Platform, from 11:30am-1:30pm, Eiko will teach her signature workshop which is open to all people (not just dancers!), all ages and all abilities. All are encouraged to experience Eiko’s simple but richly nuanced movement vocabulary.

Individuals may sign up for one or multiple workshops.

Observers welcome!


DELICIOUS MOVEMENT MANIFESTO

1. Move to rest, sleep, and dream.

2. Move to pass time, bloom, and linger.

3. Move to taste and share.

4. Move to forget and remember.

[read the full manifesto on eikoandkoma.org]

Emmauelle Huynh and Eiko Otake, Thalie Art Foundation, Brussels, May 2015

Talking Duets: #1

Part of Platform 2016: A Body in Places

With: Eiko, David Brick, Emmanuelle Huynh, John Kelly, Bebe Miller, Moderator: Judy Hussie-Taylor

First developed during LMCC’s River to River Festival last summer by Eiko and French choreographer Emmanuelle Huynh, Talking Duets was a playful structured improvisational score created and performed by Huynh and Eiko with Hussie-Taylor as the time-keeper and moderator.

These iterations include a diverse range of artists. Eiko and invited guests perform experimental duets, moving and speaking.

Read more about the origins of Talking Duets

Other performances

Photos via badlandsunlimited.com

An Evening with Paul Chan & Claudia La Rocco

Part of Platform 2016: A Body in Places

Platform curators Judy Hussie-Taylor, Lydia Bell, and Eiko have invited artists from other disciplines to respond to three of Eiko’s artistic concerns: 1) the relationship of a body to a place; 2) artist as wanderer; 3) how we bear witness to change. The guests’ artistic responses are presented alongside Eiko’s Church Installation.

Eiko will install images, objects, and videos of past performances on Tuesday evenings throughout the Platform. The installation will accumulate, and evolve weekly. Lighting created in collaboration with Kathy Kaufmann.

Judy Hussie-Taylor has invited writer Claudia La Rocco and visual artist Paul Chan to respond to the above three prompts. La Rocco’s text will unfold over four hours, and Chan’s sculptures, installed specifically for the St. Mark’s sanctuary and shown for the first time in New York, will be exhibited for one night only.

Still from “Kanal”

Film Series at Anthology Film Archives: PROGRAM 2: BODIES IN WATER

Part of Platform 2016: A Body in Places

This Wednesday night film series is co-presented by Danspace Project and Anthology Film Archives and curated by Eiko, who addresses “how humans contribute to and survive the characteristics of places.” Tickets are available at Anthology’s box office on the day of the show only. The box office opens 30 minutes before the first show of the day. There are no advance ticket sales.

PROGRAM 2: BODIES IN WATER
We all come from water and water courses through our bodies. We are a bubble floating down the river of life to the unknown. Water is both a source of life and a threat. When water becomes a menace to our lives and senses, our existence is truly frightened. –Eiko

Andrzej Wajda
KANAL
1956, 95 min, 35mm, b&w. In Polish with English subtitles.

KANAL follows a near-decimated company of Polish resistance fighters as they make a final effort to escape the encircling Nazis through the sewers of Warsaw. A merciless view of their flight through the putrid waters, KANAL is a story void of glory and nearly void of hope, where the desire for dignity, even survival, becomes faint. Wajda was an important figure for our youth in Japan. When Eiko & Koma performed in the Manggha Museum of Japanese Art and Technology in 2007, founded by Wajda in Krakow, Poland, we had the pleasure of meeting the filmmaker and telling him how his ASHES AND DIAMONDS had had a special meaning for those of us who were student fighters in the political movements of the late ‘60s. His KANAL inspired Koma and me in 1989 to create the work, CANAL, a work for several naked bodies, whose stage design suggested both urban sewers and the blood stream of a body. –Eiko

With:
Eiko & Koma WALLOW 1984, 19 min, video
WALLOW was our first attempt to create dance for a camera, shot in Point Reyes, California. –Eiko

More info:
anthologyfilmarchives.org
eikoandkoma.org

 

Photo: William Johnston

Delicious Movement Workshop

Part of Platform 2016: A Body in Places

Eiko has taught “Delicious Movement” at festivals, universities and arts centers for more than three decades and has influenced generations of dancers and choreographers all over the country.

Every Wednesday (February 17, 24 March 2, 9, 16) during the Platform, from 11:30am-1:30pm, Eiko will teach her signature workshop which is open to all people (not just dancers!), all ages and all abilities. All are encouraged to experience Eiko’s simple but richly nuanced movement vocabulary.

Individuals may sign up for one or multiple workshops.

Observers welcome!


DELICIOUS MOVEMENT MANIFESTO

1. Move to rest, sleep, and dream.

2. Move to pass time, bloom, and linger.

3. Move to taste and share.

4. Move to forget and remember.

[read the full manifesto on eikoandkoma.org]

Photo: William Johnston

Book Club: Post-War Tokyo

Part of Platform 2016: A Body in Places

Eiko’s Book Club will meet each Thursday evening at Danspace Project in the St. Mark’s Church sanctuary.

RSVP for each week’s book club. Your RSVP will be followed up with readings for the week.

Readings for this week include:

Ango Sakaguchi (1906-1955). “In the Forest Under Cherries in Full Bloom” (1947. P187-205. PDF)
Kenzaburo Oe (b. 1935). “Sheep” (1958. p 167-177 PDF)

Koma. Photo: Ian Douglas.

Precarious #1

Part of Platform 2016: A Body in Places

Eiko with Beth Gill, Neil Greenberg, Koma, Jimena Paz, Polly Motley, Donna Uchizono, and Arturo Vidich.

Invited artists were given a quote by philosopher Judith Butler about grief and mourning as a point of departure. Each artist has selected a place inside St. Mark’s Church and all will perform a solo simultaneously over three hours.

Audiences will be free to move throughout the church with performances occurring both in the sanctuary as well as other locations throughout the building.

Other performances

Top (l-r): William Johnston, Judy Hussie-Taylor; Bottom (l-r): Judy Hussie-Taylor, William Johnston.

A Body in Places: Eiko Solo #1

Part of Platform 2016: A Body in Places

Eiko’s interest is in the East Village’s history as a home for multiple generations of immigrants, activists, artists, outcasts, dancers, musicians, and poets. This history and her own connection to the neighborhood has inspired her to perform one solo every day (Monday – Friday) for small audiences over three weeks at various locations in the East Village.

Audience members will gather at St. Mark’s Church and will be accompanied to a nearby place where Eiko will perform.

Performances will take place at various times during the morning, afternoon and night. Audiences for these intimate performances will range from 10 to 25 people depending on the size of the performance site.

The specific indoor places will not be revealed in advance but will include familiar and unfamiliar places along Second Avenue and near St. Mark’s Church.

Please note: some places have stairs and limited access to restrooms. For more information regarding accessibility please call 212-674-8112.

One final midnight performance will take place on March 19.

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